Tuesday, December 30, 2025

María (2023)

(MAR.IA
Premiere
: June 13, 2024 (Argentina)
Country of origin: Argentina
Directed by: Gabriel Grieco and Nicanor Loreti
Written by: Nicanor Loreti
Distributed by: Black Mandela, Camauer, Crep Films, Lahaye Media
Genre: Horror, Scifi, Thriller
Runtime: 1 h 21 min
Starring: Sofia Gala Castiglione, Malena Sanchez, Sergio Boris


 
Screener version
This sci-fi thriller is, to my surprise, not the first work of art from directors Gabriel Grieco and Nicanor Loreti. They have been directors for quite some time now. What surprised me is that the film does feel cheap. Their ambitions do not feel cheap, however, but the low production value still hurts the film. Here’s the plot.

Maria Black was once one of the world’s most important erotic actors—until the accident that took her life. Years go by. Sound engineer Ali is called to the set of a new erotic film, and everyone is surprised to discover that Maria Black is alive and well! The shoot gets out of hand and turns into a dramatic event involving blood, guns, and curious people wearing devil masks. 
 

As the title suggests, nothing is what it seems with Maria Black. In fact, the film highlights early on that she appears to be some kind of robot. And while the film doesn’t shy away from hinting at the obvious, it certainly takes a long time getting there.

The first problem is the strange ADR. The added dialogue made me wonder if the film is dubbed. It appears the movie was made in Argentina, however, so it doesn’t distract me that much. By the end of the day, I do get used to it—like watching an old kung-fu movie. It adds to the charm.

 The pacing is really off. It’s sad that the film is so slow, and once we get to the action, it has no energy. Whenever Maria shows up as a killer robot, the movie starts to feel even slower, as these scenes never really do anything for me. This is strange, as it should be the main thing I’m looking for here.

The cast is doing a good job, including the actress who plays Maria—Daria Panchenko. They show and give each other the kind of energy this movie needs. It is a wonderfully shot film! The lighting and different color palettes really work for me, and I think that is the film’s strongest point. I could live without the static flicker in the camera once Maria goes in for a kill. It looks distracting and takes me out of the movie.

5/10
All in all, it’s a decent effort, but nothing to write home about. I think the film holds up with a serious tone and a topic that doesn’t lose my interest, but I wasn’t that excited or entertained by the final result.

 

 

Links: 
www.black-mandala.com
IMDB

/Robin


 
 
 
 
 

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