Comic: Tara Togs - The Silence of Unicorns (2024) + Video

Original release: 2024 (Kickstarter)
Created by: Stref
Genre: Adventure, Mystery, Fantasy
Pages: 68
Publisher: ComicScene / Shift
Country: Scotland

Tara Togs began as a homage to the spirit of Tintin, carrying echoes of that classic adventure style while gradually evolving into something of its own. What started as a familiar foundation has since taken on a distinct identity, shaped beyond its original inspiration.

Created by Stref, a Scottish creator. 
The character first appeared in a short story titled Hot Dog, released through ComicScene. 

From there the project expanded into a Kickstarter campaign in 2024, which led to this first full adventure, The Silence of Unicorns.

Our story begins in Belgium in 1940 with a playful tone that carries through the opening. The humor is present from the start and establishes the world clearly. A valuable “horse” painting is introduced and quickly becomes a central focus, immediately setting up a sense of mystery.

We are then introduced to Tara in the present day in Scotland, specifically Tattiebogle, Edinburgh. She is an aspiring professional photographer, an ambition shaped by her late father, giving her a clear personal motivation from the outset. On a personal level, this connection resonated with me, reminding me of my own photography endeavors and my late father. Visually, she is defined by her distinctive appearance, particularly her twin ponytails, which evoke Pippi Longstocking.

 

The narrative follows a classic setup of being in the wrong place at the right time, where curiosity pulls Tara into situations she was never meant to be part of. As the connection to the painting becomes more relevant, Tara is drawn into the unfolding story, forming the foundation for the adventure ahead.

The mystery is cleverly built around a missing “horse” painting and a legendary “unicorn” painting, which together drive the story forward and create a strong sense of intrigue.

 

  

This is a full adventure, with car chases, gunplay, hiding, horse riding and more, along with encounters with a small but memorable cast. Among them are the private detective Heggy and the medium Lexi, who add personality and variation to the journey. We also get a unique side character in Major the talking myna bird, who brings an extra layer of charm. I always enjoy classic mystery tropes like a mysterious figure, who is only partially revealed throughout the story. By keeping him in the background, the story maintains intrigue and leaves the reader questioning his true involvement.

 

 

Tara herself stands out as both funny and quick-thinking. She feels resourceful and active, pushing the story forward rather than simply reacting to it. The action is well structured and rewarding to follow, making it difficult to stop. There is a strong sense of momentum that keeps you wanting to read on and discover where it leads.

The dialogue leans into Scottish and British flavor, with words like “bloke,” “golly,” and phrases such as “just the ticket.” At one specific point it was slightly challenging to follow, but it’s all fun, and it adds authenticity and strengthens the sense of place.

 

Visually, the scenery is well drawn, with strong attention to buildings, vehicles, and the overall environment. It creates a grounded and believable world that supports the story. Some of the designs, especially the cars, feel distinctive enough that they could easily translate into collectibles.

By the end, the inspiration becomes clear not only in tone but also in storytelling style, often associated with the ligne claire tradition. At the same time, it never feels like a copy, but more like a companion piece that stands on its own.

Tara comes across as a younger, more modern lead. While she may be in a similar age range as Tintin, she feels younger in spirit, giving her a different kind of presence in the story.  
 

 

10/10 - There is a real sense of joy, like finding something you did not realize you had been missing. It is an engaging and enjoyable read that leaves a strong impression and a curiosity for where Tara’s adventures might go next. It would be interesting to see a future adventure set in Sweden.

Following the release of the book, two short stories were produced for Aces Weekly: Tara Togs in Halloween! and Tara Togs in Lost Gold of the Forth.

 

 

  

 

An enhanced version of Hot Dog is planned to be included in the upcoming collection Tara Togs: Year One.
Look at the ongoing Kickstarter here: 
https://www.kickstarter.com/projects/comicscene/tara-togs-year-one 

In addition, a short parody strip titled Tara Togs and the Orange Dust Gang has recently been released in the comic anthology Falcon, offering a lighter, non-canon take on the character. 

 

 

If you got this far, now go back and look at the cover again for The Silence of Unicorns, there is 2 unicorns hidden in that image, can you find them...

Links:
Buy Tara comic here:
https://share.google/TBUu2AETEihRUlSFG

Facebook:
https://www.facebook.com/profile.php?id=100066742922160

Stref´s Instagram:
https://www.instagram.com/stref70/

Original kickstarter for The Silence of Unicorns:
https://www.kickstarter.com/projects/comicscene/tara-togs-the-silence-of-unicorns

There is also a companion video with Stref, talking about about the progress. 

Article written by: Sonny Mikszath

Movie: Lunamancer (2021) + Video

Premiere:
September 17, 2021 (Philip K. Dick Science Fiction Film Festival)
Country of origin: USA
Directed by: Noah Mucci
Written by: Noah Mucci, Matt Patterson
Produced by: Ooze Productions
Distributed by: Indie Rights
Genre: Drama, Thriller, Fantasy
Runtime:1h11min
Starring: 
Jake Pirkkanen, Nicki Clyne, Nick Denning

Sometimes you don’t find a movie, it finds you.

I was digging through filmography connected to Cannibal Holocaust (1980), curious about what
the cast had done before and after. That’s how I ended up looking into Perry Pirkanen. While
browsing, I came across Lunamancer (2021). I checked out the trailer and instantly got a bit of a
Falling Down (1993) vibe from it.

Out of curiosity, I got in contact with one of the writers, who ended up sending me a physical Blu-
ray copy for review. That alone already made the experience feel special.

What I didn’t realize until the movie arrived was something kind of funny. Looking at IMDb, I
noticed I apparently own every movie Perry Pirkanen has ever appeared in:
Not that many, but still.

All good movies too and all physical editions.

Cannibal Holocaust (1980) – Jack Anders

City of the Living Dead (1980) – Blond Gravedigger (uncredited)

Cannibal Ferox (1981) – Paul (uncredited)

Then next he can be seen in this Lunamancer , let´s see if we find him...
 
The film starts strong. I won’t spoil anything, but the opening works as a real hook. It immediately
makes you want to keep watching just to understand what’s going on. Then the music kicks in. Hard. By Composers Evan Michael Brown and Shayon Daniels. It has this powerful retro energy, almost like an epic thriller from the 80s. As the film goes on the soundtrack starts to feels like something straight out of Drive (2011), mixed with the synth-heavy atmosphere of Stranger Things. That blend works incredibly well and gives the movie a strong identity. 

The story follows Isaac Blake, a man driven by a strong grief. He’s searching for his missing sister, trying to understand what happened to her, where is she? Isaac is very unstable and believable. If someone close to you disappears, that kind of emotional breakdown feels real rather than exaggerated.

Based on the trailer, I expected something closer to Falling Down. What I got instead was a better
slower and more introspective drama-thriller with light fantasy elements woven in. The film leans
heavily into psychological territory. There are moments where reality feels uncertain, like memory
itself might be distorting the truth. That aspect gave me strong Silent Hill vibes, where you’re never
fully sure what is real and what is shaped by the character’s mind.

One thing that stood out was the use of VHS-style filters and flickering effects. It’s not overused,
but when it appears, it adds a layer of unease and reinforces the retro aesthetic.
There’s also a short crowbar scene that immediately brought to mind the famous hammer hallway
sequence from Oldboy (2003). It’s brief, but very well executed and visually striking.

Oldboy (2003)

The Blu-ray release includes a commentary and a VHS version of the film, which is a really nice
touch. It fully commits to the retro style the movie is going for and it shows that the aesthetic wasn’t
just a surface choice, but part of the film’s identity, I wonder if this is the original version...

Coming back to where this started, Perry Pirkanen plays Gordon Blake, Isaac’s father. Doing a sweet and nice role. It’s always interesting to see actors from older cult films appear in newer movies. One do miss that mustache right.

On another note the actress Nicki Clyne that played the missing sister Sue is famous for being in the Battlestar Galactica show. 

Overall, Lunamancer is a deeply atmospheric and emotional experience. It feels surprisingly
European in tone, even though it’s an American production. It takes its time, leans into mood and
psychology and trusts the audience to sit with its ambiguity.

Rating: 8/10 A slow-burning, stylish thriller that sticks with you.

 

Links:
IMDb - https://www.imdb.com/title/tt13635040
Homepage: https://lunamancer.com/
Facebook - https://www.facebook.com/lunamancer2023

A bit extra for this, it is a first even for the blog, a Companion video with the makers, where they talk about the movie, exclusively made for this article. Made after the article was written. 
 

Article written by: Sonny Mikszath

Movie: Suicide Tuesday (2024)

Premiere:
September 21, 2024 (Arizona Underground Film Festival) -USA
Cinema - April 24, 2026

Country of origin: Sweden
Directed by: Joakim Paronen
Written by: Joakim Paronen 

Produced by:
Arvet Agency, Debayer Interactive, Werewolfmouse Media 

Distributed by:
Cinecct Swedenm Arvet Agency

Genre: Drama
Runtime:1h27min

Starring:
Freddie Mosten Jacob, Alec Toselli 

This movie started like a typical Kent song, the Swedish band known for its dark, melancholic music and lyrics. From the very first scenes, it sets a tone of introspection, loss, and emotional turbulence. The film has moments so dark they broke my soul and brought tears, as I have personally been close to this world, friends struggling with heavy drug use and my own experiences with deep depression. These aspects are conveyed in a way that feels authentic and resonant.

The film opens with Tove, played by Freddie Mosten Jacob (Åremorden -2025), Veronika -2023), in a moment of deep despair. Early in the morning, she prepares to take her own life in a scene that is heartbreakingly raw. Her attempt is interrupted by Jesse, portrayed by Alec Toselli (Helikopterrånet – 2024, Senke nad Balkanom – 2026), an early morning walker who notices her vulnerability. From this point, the story explores a delicate and complex dynamic. Jesse is carefree, kind, and seemingly without ill intent, while Tove is guarded and defensive, wary of trusting anyone. Their interactions are a careful push and pull: Jesse offers help and companionship and Tove resists, often angrily.

The narrative takes different turns, weaving between present-day events, flashbacks and symbolic dream sequences. At times, it can be hard to know exactly what is happening, but this style mirrors Tove’s internal chaos and emotional struggles. Turning to heroin in her search for escape. The story touches on her fractured relationships, with her father Niklas, her boyfriend Christian, and others, as well as dangerous encounters like reckless driving, drug deals, robbery and more. It just spirals down not even Jesse´s 1951 Hudson Hornet Sedan is safe. These dark turns explore the depths that many sadly fall into.

Visually and emotionally, the film is strong and well acted. It shows how difficult it can be for others to help when someone is struggling internally. The tension of being emotionally drained, fragile and desperate is rendered in a way that feels genuine.

It is a compelling and emotionally resonant story, but viewers should approach it with caution. The depiction of drug use is stylized and does not reflect real-life consequences. In reality, heroin use carries devastating effects and withdrawal periods that the film does not convey.  

 

I give this film 7/10. It is dark, intense and well-acted, particularly by Freddie, who nails the expression and body language of this harrowing journey. It succeeds in showing in a genuine way that such struggles can happen in life. A bit to light on the drug portrayal.

Links:
IMDB: https://www.imdb.com/title/tt22372550
Trailer: https://www.youtube.com/watch?v=aen7-WL-1GI


Article written by: Sonny Mikszath

Movie: Phantasmagoria (2014)

Premiere: 
May 20, 2014 (Cannes Film Festival)

Country of origin: Italy / France

Directed by:
Mickael Abbate, Domiziano Cristopharo, Tiziano Martella

Written by: 
Mickael Abbate, Domiziano Cristopharo, Tiziano Martella

Distributed by: EuroObscura
Genre: Fantasy, Horror, Drama, Thriller
Runtime: 1h15min
Starring: Venantino Venantini, Maya Dolan, Sophie Pâris

The reason this caught my attention is because of the Italian actor Venantino Venantini, known to me from Paura nella città dei morti viventi (1980) (City of the Living Dead). In that film, he plays a very brutal father, not a huge role, but very, very memorable. 

(Paura nella città dei morti viventi (1980)

I was curious to see what more he had done and found out about this movie, wonder if I’ll even recognize him. 

This film Phantasmagoria was provided to me for this review by EuroObscura.

Jumping into this anthology movie, we start with a solid, long, old-school intro credit, then we are taken right into a Tales from the Crypt-style segment. A carnival-like, fortune teller skeleton is our host and presents the first story. I love this setup, Tales from the Crypt is one of my favorite shows. 

 

Diabolique – Director: Mickael Abbate – 15 min
The story follows an Italian film team in the south of France: three women and one man, seemingly set to record a sci-fi movie. A fun little touch, they start humming the X-Files intro, which I absolutely loved. But almost immediately, you notice something isn’t right.
 

It reminded me a lot of Blink Twice (2023). The setting adds to the unease: an abandoned mansion called La Diabolique where the townspeople acting strangely, that gave off a faint Twin Peaks vibe. The short starts strong, but unfortunately, it loses momentum toward the end, wrapping up too quickly. I kind of lost track of what was really happening before it concluded. The only super sad part was that the film crew in the short never really got to shoot anything for their sci-fi movie, they just talked about it a bit and then relaxed and all the strange story happens around them. 

WAKE UP!

I give this 4/10 – Because good effort, but it’s too personal for others to really grasp fully.

 

Our skeleton host guides us into the next story.

 

 

My Gift to You – Director: Tiziano Martella – 20 min
In this segment, I knew we would see Venantino Venantini, listed on IMDb as playing the grandpa, so let’s see if we find him.

The story starts on October 31, 1993—Halloween.
What a brutal start. A very memorable scene. A young girl, Sarah, walks in on her loving grandfather, well played by Venantini, as he shoots himself. Before doing it, he says, “this is my gift to you.”
That’s an incredibly heavy moment. For a child to witness that and then to frame it as a “gift”… it immediately sets a deep psychological weight. It’s not just shocking, it lingers.

Nineteen years later, in 2012, Sarah is still trying to understand why he did it. What she finds doesn’t come as a clear answer at first. It feels more like a dark psychological dream than an explanation. But eventually, something does emerge, just not something she was ready for.

The story stays quite open-ended. You understand most of what happened, but the details are left for you to piece together. It leans heavily into dreamlike and symbolic visuals, which fits the very, very dark themes it explores.
I’d give it a 5/10. The psychological terror comes through well, especially because of what Sarah experienced.

 

 

After another short visit from our skeleton host, we move into the third and final short.

 

A Snake with a Steel Tongue – Director: Domiziano Cristopharo – 30 min
This one starts off very bloody, with what appears to be a prostitute killing her client. It sets up a mystery right away. Who is the killer and why? The face is hidden, possibly behind a mask and it’s not even clear if it’s a woman or a man. That gave me strong giallo vibes, I was hoping it would turn into more of a detective-style story.
We follow a man who checks into a sketchy motel. It seems like the place has been closed for some time, but he’s allowed to stay there for just one night. The place and its innkeeper gives it an uneasy feeling. As things progress, the motel clearly isn’t what it seems and the connection to the opening murder becomes more and more intriguing. The innkeeper repeatedly insisting that vodka is the best choice right now adds to the strange atmosphere.

By the end, the story shifts and becomes a bit confusing, though that seems intentional. It leans into a slow, looming thriller style where you’re constantly wondering what will happen next. The end was interesting, even if the path there feels a bit uneven. Unfortunately, the audio mix was also somewhat inconsistent, which took me out of it at times.
I’d give it a 4/10. It has a nice and interesting twist, but overall it didn’t fully land for me.

After a short wrap-up by our skeleton host, the movie ends with the credits and its great 80s vibe soundtrack!

 

So overall I say it was not a bad watch, not at all. It is always interesting to see how these anthology works, what is special most of the time is how one tries to fit a short story that is intriguing to watch and how complex one can make it.
I give this full movie 7/10 – Charming skeleton host and one did feel transformed into the worlds of these stories. It was nice to see the part Venantino Venantini was playing also. 

Links:
IMDB: https://m.imdb.com/title/tt3026102/
Homepage: https://www.facebook.com/Phantasmagoria.the.movie

http://www.euroobscura.com/

Article written by: Sonny Mikszath