Showing posts with label 2024. Show all posts
Showing posts with label 2024. Show all posts

Saturday, April 25, 2026

Comic: Tara Togs - The Silence of Unicorns (2024) + Video

Original release: 2024 (Kickstarter)
Created by: Stref
Genre: Adventure, Mystery, Fantasy
Pages: 68
Publisher: ComicScene / Shift
Country: Scotland



Tara Togs began as a homage to the spirit of Tintin, carrying echoes of that classic adventure style while gradually evolving into something of its own. What started as a familiar foundation has since taken on a distinct identity, shaped beyond its original inspiration.

Created by Stref, a Scottish creator. 
The character first appeared in a short story titled Hot Dog, released through ComicScene. 



From there the project expanded into a Kickstarter campaign in 2024, which led to this first full adventure, The Silence of Unicorns.

Our story begins in Belgium in 1940 with a playful tone that carries through the opening. The humor is present from the start and establishes the world clearly. A valuable “horse” painting is introduced and quickly becomes a central focus, immediately setting up a sense of mystery.

We are then introduced to Tara in the present day in Scotland, specifically Tattiebogle, Edinburgh. She is an aspiring professional photographer, an ambition shaped by her late father, giving her a clear personal motivation from the outset. On a personal level, this connection resonated with me, reminding me of my own photography endeavors and my late father. Visually, she is defined by her distinctive appearance, particularly her twin ponytails, which evoke Pippi Longstocking.

 

The narrative follows a classic setup of being in the wrong place at the right time, where curiosity pulls Tara into situations she was never meant to be part of. As the connection to the painting becomes more relevant, Tara is drawn into the unfolding story, forming the foundation for the adventure ahead.

The mystery is cleverly built around a missing “horse” painting and a legendary “unicorn” painting, which together drive the story forward and create a strong sense of intrigue.

 

  

This is a full adventure, with car chases, gunplay, hiding, horse riding and more, along with encounters with a small but memorable cast. Among them are the private detective Heggy and the medium Lexi, who add personality and variation to the journey. We also get a unique side character in Major the talking myna bird, who brings an extra layer of charm. I always enjoy classic mystery tropes like a mysterious figure, who is only partially revealed throughout the story. By keeping him in the background, the story maintains intrigue and leaves the reader questioning his true involvement.

 

 

Tara herself stands out as both funny and quick-thinking. She feels resourceful and active, pushing the story forward rather than simply reacting to it. The action is well structured and rewarding to follow, making it difficult to stop. There is a strong sense of momentum that keeps you wanting to read on and discover where it leads.

The dialogue leans into Scottish and British flavor, with words like “bloke,” “golly,” and phrases such as “just the ticket.” At one specific point it was slightly challenging to follow, but it’s all fun, and it adds authenticity and strengthens the sense of place.

 

Visually, the scenery is well drawn, with strong attention to buildings, vehicles, and the overall environment. It creates a grounded and believable world that supports the story. Some of the designs, especially the cars, feel distinctive enough that they could easily translate into collectibles.

By the end, the inspiration becomes clear not only in tone but also in storytelling style, often associated with the ligne claire tradition. At the same time, it never feels like a copy, but more like a companion piece that stands on its own.

Tara comes across as a younger, more modern lead. While she may be in a similar age range as Tintin, she feels younger in spirit, giving her a different kind of presence in the story.  
 



10/10 - There is a real sense of joy, like finding something you did not realize you had been missing. It is an engaging and enjoyable read that leaves a strong impression and a curiosity for where Tara’s adventures might go next. It would be interesting to see a future adventure set in Sweden.

Following the release of the book, two short stories were produced for Aces Weekly: Tara Togs in Halloween! and Tara Togs in Lost Gold of the Forth.

 

  

An enhanced version of Hot Dog is planned to be included in the upcoming collection Tara Togs: Year One.
Look at the ongoing Kickstarter here: 
https://www.kickstarter.com/projects/comicscene/tara-togs-year-one
 

In addition, a short parody strip titled Tara Togs and the Orange Dust Gang has recently been released in the comic anthology Falcon, offering a lighter, non-canon take on the character. 

 


If you got this far, now go back and look at the cover again for The Silence of Unicorns, there is 2 unicorns hidden in that image, can you find them...

Links:
Buy Tara comic here:
https://share.google/TBUu2AETEihRUlSFG

Facebook:
https://www.facebook.com/profile.php?id=100066742922160

Stref´s Instagram:
https://www.instagram.com/stref70/

Original kickstarter for The Silence of Unicorns:
https://www.kickstarter.com/projects/comicscene/tara-togs-the-silence-of-unicorns

There is also a companion video with Stref, talking about about the progress. 



Article written by: Sonny Mikszath

Monday, April 6, 2026

Movie: Suicide Tuesday (2024)

Premiere:
September 21, 2024 (Arizona Underground Film Festival) -USA
Cinema - 
April 24, 2026


Country of origin: Sweden
Directed by: Joakim Paronen
Written by: Joakim Paronen 

Produced by:
Arvet Agency, Debayer Interactive, Werewolfmouse Media 

Distributed by:
Cinecct Swedenm Arvet Agency

Genre
: Drama
Runtime:1h27min

Starring
:
Freddie Mosten Jacob, Alec Toselli 

This movie started like a typical Kent song, the Swedish band known for its dark, melancholic music and lyrics. From the very first scenes, it sets a tone of introspection, loss, and emotional turbulence. The film has moments so dark they broke my soul and brought tears, as I have personally been close to this world, friends struggling with heavy drug use and my own experiences with deep depression. These aspects are conveyed in a way that feels authentic and resonant.

The film opens with Tove, played by Freddie Mosten Jacob (Åremorden -2025), Veronika -2023), in a moment of deep despair. Early in the morning, she prepares to take her own life in a scene that is heartbreakingly raw. Her attempt is interrupted by Jesse, portrayed by Alec Toselli (Helikopterrånet – 2024, Senke nad Balkanom – 2026), an early morning walker who notices her vulnerability. From this point, the story explores a delicate and complex dynamic. Jesse is carefree, kind, and seemingly without ill intent, while Tove is guarded and defensive, wary of trusting anyone. Their interactions are a careful push and pull: Jesse offers help and companionship and Tove resists, often angrily.

The narrative takes different turns, weaving between present-day events, flashbacks and symbolic dream sequences. At times, it can be hard to know exactly what is happening, but this style mirrors Tove’s internal chaos and emotional struggles. Turning to heroin in her search for escape. The story touches on her fractured relationships, with her father Niklas, her boyfriend Christian, and others, as well as dangerous encounters like reckless driving, drug deals, robbery and more. It just spirals down not even Jesse´s 1951 Hudson Hornet Sedan is safe. These dark turns explore the depths that many sadly fall into.

Visually and emotionally, the film is strong and well acted. It shows how difficult it can be for others to help when someone is struggling internally. The tension of being emotionally drained, fragile and desperate is rendered in a way that feels genuine.

It is a compelling and emotionally resonant story, but viewers should approach it with caution. The depiction of drug use is stylized and does not reflect real-life consequences. In reality, heroin use carries devastating effects and withdrawal periods that the film does not convey.  

 

I give this film 7/10. It is dark, intense and well-acted, particularly by Freddie, who nails the expression and body language of this harrowing journey. It succeeds in showing in a genuine way that such struggles can happen in life. A bit to light on the drug portrayal.




Links:
IMDB: https://www.imdb.com/title/tt22372550
Trailer: https://www.youtube.com/watch?v=aen7-WL-1GI


Article written by: Sonny Mikszath

Sunday, February 1, 2026

Movie: Merge – 2025

Premiere: Oct 29, 2025
Country of origin: UK
Directed by: Various
Written by: Various
Distributed by: Cine Circle
Genre: Sci-Fi,
Drama, Anthology
Runtime:
77min
Starring: Various 

Merge is a sci-fi anthology film exploring a common theme of future technology and its effect on humanity. The shorts span from 2021 to 2023 and come from different countries such as Austria, UK and USA. Rather than feeling commissioned as one unified project, it feels like a carefully gathered collection that fits together naturally. I would love to see more anthology films like this.

One thing I noticed right away was the lack of an opening title card. The film simply starts with the first short, which felt a bit strange.


01 – Angst (2021, Austria)
Director and Writer: Béla Baptiste
Length: 10 minutes
https://www.imdb.com/title/tt11775300


This short hooks you immediately with a world that appears perfect on the surface. Beneath that utopian look, something feels wrong. The use of digital backgrounds creates an uncanny atmosphere that supports the story very well. In just ten minutes, it explores how fragile perfection really is and leaves behind a quiet unease that lingers after it ends.

 


02 – Soulmate (2023, UK)
Director and Writer: Richard Fenwick
Length: 15 minutes
https://www.imdb.com/title/tt16310522


We follow Anna, who works at a digital social platform company called “Synaptic – Beyond AI”. She becomes increasingly involved in the virtual world, to the point where it starts affecting her real life. The storytelling is rich and believable, showing a future that feels very close to what we already have today. Platforms like Second Life comes to mind.
 


03 – When Unfettered (2023, USA)
Director and Writer: Derek Franzese
Length: 12 minutes
https://www.imdb.com/title/tt18271646 


This one hit me the hardest. We follow Ash, an AI caregiver for an elderly man. After his death, his daughters no longer want her around. The short raises classic questions about artificial intelligence. Do AI feel? Do they dream? It echoes themes explored by Philip K. Dick.

There are subtle Blade Runner vibes, mostly through the music, while the visual tone feels lighter and reminded me of Detroit: Become Human. The acting is strong and the story is emotionally grounded. It is unfortunately a bit short, but I would absolutely love to see this expanded into a full-length movie.


04 – The First Time I Never Met You (2024, UK)
Director and Writer: Eric Kole
Length: 14 minutes
https://www.imdb.com/title/tt14253218

John has a loving family but is completely consumed by work. Through experiments involving flowers, he finds himself traveling back in time. The reasons are unclear at first, which adds to the emotional weight. This is a tragic and thoughtful story about choices people dream of making but never truly can. It leaves you questioning whether changing the past is something we should ever attempt. Well made. This short could also work very well as a full-length film.



05 – Subscribed (2022, USA)
Director: Diana Porter
Writer: Mikel J. Wisler
Length: 10 minutes 
https://www.imdb.com/title/tt15286106

This short opens like a commercial for an AI assistant company called “Vitalus”. We follow Carol, who is isolated in her home due to quarantine. What starts as helpful AI assistance slowly becomes something more unsettling. What might be the reason?

With real-world AI assistants like Siri, ChatGPT, Gemnie, Grok and more already being part of daily life, this short feels uncomfortably realistic. There was no title card at the beginning, which initially confused me. I first thought the short was called Vitalus. Later I discovered the actual title is Subscribed. The realism here is what makes it scary. An interesting detail is that the director Diana Porter also plays the lead role. 


06 – The Man Behind the Machine (2023, UK)
Director and Writer: Dalano Barnes
Length: 15 minutes
https://www.imdb.com/title/tt21249986

 Another AI-focused story, this one follows an older second-hand shop dealer whose AI assistant is suddenly taken away. The assistant is one of the first hundred of its kind. The story asks familiar but still powerful questions. Do AI have feelings or is it all just programming?

The short moves quickly and ends almost too soon, but the idea is strong. Watching AI struggle with reality always raises the question of what reality even means. 



Overall Impressions

All of the shorts are well made. Some have higher production value than others, but none felt weak or careless. My favorite was When Unfettered because it feels grounded in a reality that is already forming around us.

 

What really stands out across the collection is how little of this feels like distant science fiction. We are already living in this world. AI assistants are part of everyday life now. I chat with ChatGPT almost every day, sometimes about lingering questions, sometimes just random thoughts. The idea of having an AI assistant moving around my home does not feel out of the question.

 

That is where the real dilemma appears. How safe are we with AI around us. Our phones already observe us constantly. Shorts like Subscribed show how easily helpful technology can shift into something controlling. That is what makes it unsettling. It feels real.

 

All of the directors appear to be indie filmmakers. Some have worked on larger productions in assistant roles or as actors, but none seem to have directed major studio films yet. That is not negative. It actually makes the collection more interesting. I hope several of these filmmakers move on to larger projects, especially a full-length version of When Unfettered.

 

One thing that still stands out is the lack of an intro or closing title for the collection. Seeing the Merge title at the beginning or the end would have helped tie everything together. It was nice to see full credits for all the shorts in the end, appreciated.

 

I give it 8/10, This is a thoughtful and engaging sci-fi anthology that encourages reflection rather than spectacle. These stories feel less like science fiction and more like a glimpse of a very near future. 




 Article written by: Sonny Mikszath